URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera.

Please note, the Broadcast G2 comes with a B4 lens mount that does not provide full sensor coverage, so you’ll be limited to 4K UHD resolutions or lower.īuilt-In Optical ND Filters. You also get full electronic lens control to adjust focus, iris, and zoom using the camera’s controls or remotely. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don’t need to constantly chase focus as you shoot. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.Ĭompatible with B4 Broadcast Lenses. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The primary native ISO is 400, which is ideal for use under studio lighting. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it’s optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The URSA Broadcast G2 features incredible low-light performance, so you can shoot using ambient light or even under moonlight. We also carry the Blackmagic URSA Broadcast G2 w/ RAWLITE OLPF Upgrade B4 for reduced moire and aliasing.

Just like its predecessor, the Blackmagic URSA Broadcast G2 Camera (B4) is more than capable of functioning as a broadcast camera with ENG camera controls and a low-light sensor, but why stop there? Tack on an advanced YRGB color corrector, full remote camera control, support for a wide range of lenses, high dynamic range at 13 stops, and support for Blackmagic RAW recording, and you’ve got a studio and field powerhouse, capable of performing in almost any situation.

Ursa camera